Good-by, My Dear Friends hr685

 Our furniture and appliances have finished being moved into our new apartment. My partner and I were gazing at an array of our musical instruments spread all over the floor in the living room of our empty apartment.
Five synthesizers, two electric guitars, an 88-key MIDI board, two rhythm machines, three sequencers, three sound source modules, many effectors, an 8-track open reel recorder, an 8-track mixer, a 16-track mixer, a drum set and accessories. Those instruments have occupied a large space of our tiny apartment although they haven't been used for over twenty years since a computer became a dominant tool for me to make my music. Today, a person from the used instrument purchase company was coming to our apartment to make an assessment and collect them. The instruments that spent so many years with me were on standby for their last work with a  somewhat tense look.
We shared a lot of memories. It was my custom in my old days to carry several heavy instruments on foot and by train into the studio every time my band practiced and rehearsed. I input data of the arrangement I made for my song on the sequencer by staying up all night and the entire data was all gone in a flash when I tripped on the power cord toward morning that got pulled out of the outlet. Technical difficulties were rampant on the live stage since I used so many kinds of electric instruments connected to each other in place of human band members, such as no sound came out of the sequencer or unexpected sound was produced from the synthesizer, which needless to say horrified me and gave me a cold sweat each time. The instruments felt much heavier on my way home whenever I lost a contest or an audition. We had trodden together on a long, endless road of disappointment and cravings. Though I had already stopped using most of them by the time I moved into this apartment, I brought them anyway by paying costly moving expenses because I was too attached to them to let them go.
For this move, however, I decided not to bring them to my new apartment. I was no longer my past self who had desperately coveted success as a band or had focused too much on writing songs and recording them without sleep until I harmed my health. As I grew older and accumulated more experiences, I came to understand things and be mature. That helped me sort out my feelings. I felt it was time to take the next step of my life, thus time to leave my instruments.
Looking back, not all the memories we shared were bitter. There were fond memories as well. An extremely hopeful feeling that I had when I got a new instrument with all the money I saved by working for months on my part-time job. An indescribable satisfaction I obtained when I got the best take after redid recording hundreds of times. Heavenly bliss I felt when I listened to my completed song after a long period of time of making. After all those years, I finally realized how happy I had been and how valuable my experiences were.
The person who came to our apartment from the used instrument purchase company was a young man who undoubtedly wasn't born yet when I bought these instruments. He carefully looked into each of them to decide the price. When he was done, he asked, "Why are you selling them?" My partner replied, "We make music with a computer now and don't use them anymore." Then he said to my partner and me, "It's so wonderful that you have been making music all the way together."
The price he offered was far higher than we had expected. While we didn't have much income from our music no matter how hard we strove with those instruments, they earned a good sum of money for us at the very end. We helped him load the sold instruments onto his van and saw them off. I was a little sad, but somehow refreshed and cleared at the same time. And that made me feel like our new life had just begun.

 

Illusions of Completion hr592

My work for the new song is drawing to a close and it’s in the mastering process now. I usually make the master track and leave it for a few days before the final check. The interval is essential for me because it gets me out of the zone, calms me down and gives me ears to listen objectively. Since this particular new song of mine required difficult mastering, I had trouble with finding the solution. It took much longer than I had expected to make the master track. I finally got to make one and tried to forget all about it for a few days. After the interval, I got so tense and excited that couldn’t sleep the night before the final check. What made me sleepless was the thought that on the very next day, I would finally end this painfully prolonged mastering and could see the song completed. I knew I needed a good night’s sleep for a good physical condition to make good judgement, but that pressure for all good kept me awake all the more. I listened to the master track the next day carefully and objectively, and found one slight flaw. I was disappointed that it wasn’t the day. I had to correct it and hold the completion over. I repeated the process of mastering, taking an interval, having difficulty sleeping, and making the final check. Then on the day I believed this would be the day of completion, I noticed one minor kink. I redid the process all over again. At the moment, I’m in this loop and can’t get out of it. I’m literally stuck in the mud of mastering. I make it a custom to open champagne when a song is completed, which doesn’t happen often because I’m a slow worker. Completing a song is so infrequent that I celebrate with Moet Chandon. It’s my favorite but too expensive for me to drink except for New Year’s Eve. This time, I put it in the fridge months ago when I thought this song was completed at any moment. And it’s been there unopened for months, as I’m deeply caught in the mastering mire. Every time I open the fridge, I see Moet chilled so long and almost frozen up, blaming my prolonged work. I keep declaring to my partner that today is the last day for this song, and retracting it at the end of the day. He doesn’t say anything but I feel his disappointment and anxiousness. As I’ve taken back my words of the completion so many times, I fear that he might see me as a useless liar who is just lingering slow work. I can take as much time as I like in theory since the deadline doesn’t exist for the song. Even so, I’ve already spent five years working just on this song and it’s too long for a slow worker like me. That notion puts a lot of pressure on me to complete fast. It seems to me as if both Moet’s and my partner’s patience is running out. Workdays have dragged on and on, and it has begun to eat me mentally. These days, when I finish my day’s work and tell my partner that the song hasn’t been completed again, I sense that he throws me a cold glance implying, “I thought so.” The other night, I had a dream in which I cried for joy because the song’s mastering went perfectly and it sounded flawless. The other day, when I failed to finish the song for umpteenth time, I was so irritated that I took it out on my partner and had a nasty dinnertime. In this anguish, winter ended and spring has come. I’ve been correcting small parts that I’m not satisfied with, which hinders completion. The thing is, those parts are too small to be called flaws or even kinks. I’m certain nobody would notice when he or she listens to it. Then what am I doing? What am I chasing? I may have lost a definition for completion. What is completion, after all? I’ve asked basic questions to myself and the answer is the same. I just want what I’m entirely satisfied with. If I called anything other than that completion, it would be a lie. I would actually become a useless liar and be done for. I would rather be bogged down in this mud of searching for my perfection than that. So I go on, starting another loop yet again, while I keep crying completion to my partner, to myself, and to Moet Chandon…