Good-by, My Dear Friends hr685

 Our furniture and appliances have finished being moved into our new apartment. My partner and I were gazing at an array of our musical instruments spread all over the floor in the living room of our empty apartment.
Five synthesizers, two electric guitars, an 88-key MIDI board, two rhythm machines, three sequencers, three sound source modules, many effectors, an 8-track open reel recorder, an 8-track mixer, a 16-track mixer, a drum set and accessories. Those instruments have occupied a large space of our tiny apartment although they haven't been used for over twenty years since a computer became a dominant tool for me to make my music. Today, a person from the used instrument purchase company was coming to our apartment to make an assessment and collect them. The instruments that spent so many years with me were on standby for their last work with a  somewhat tense look.
We shared a lot of memories. It was my custom in my old days to carry several heavy instruments on foot and by train into the studio every time my band practiced and rehearsed. I input data of the arrangement I made for my song on the sequencer by staying up all night and the entire data was all gone in a flash when I tripped on the power cord toward morning that got pulled out of the outlet. Technical difficulties were rampant on the live stage since I used so many kinds of electric instruments connected to each other in place of human band members, such as no sound came out of the sequencer or unexpected sound was produced from the synthesizer, which needless to say horrified me and gave me a cold sweat each time. The instruments felt much heavier on my way home whenever I lost a contest or an audition. We had trodden together on a long, endless road of disappointment and cravings. Though I had already stopped using most of them by the time I moved into this apartment, I brought them anyway by paying costly moving expenses because I was too attached to them to let them go.
For this move, however, I decided not to bring them to my new apartment. I was no longer my past self who had desperately coveted success as a band or had focused too much on writing songs and recording them without sleep until I harmed my health. As I grew older and accumulated more experiences, I came to understand things and be mature. That helped me sort out my feelings. I felt it was time to take the next step of my life, thus time to leave my instruments.
Looking back, not all the memories we shared were bitter. There were fond memories as well. An extremely hopeful feeling that I had when I got a new instrument with all the money I saved by working for months on my part-time job. An indescribable satisfaction I obtained when I got the best take after redid recording hundreds of times. Heavenly bliss I felt when I listened to my completed song after a long period of time of making. After all those years, I finally realized how happy I had been and how valuable my experiences were.
The person who came to our apartment from the used instrument purchase company was a young man who undoubtedly wasn't born yet when I bought these instruments. He carefully looked into each of them to decide the price. When he was done, he asked, "Why are you selling them?" My partner replied, "We make music with a computer now and don't use them anymore." Then he said to my partner and me, "It's so wonderful that you have been making music all the way together."
The price he offered was far higher than we had expected. While we didn't have much income from our music no matter how hard we strove with those instruments, they earned a good sum of money for us at the very end. We helped him load the sold instruments onto his van and saw them off. I was a little sad, but somehow refreshed and cleared at the same time. And that made me feel like our new life had just begun.

 

Huge Absence hr581

I went to the Tulip concert the other day. Tulip is my lifelong favorite band and the reason why I became a musician. They are making a national tour commemorating their 45th anniversary. Since I was a teenager, I’ve been to several concerts every time they were on tour. They used to tour every six months, which made the number of my attendance soar. Most part of my monthly allowance was spent on the ticket. Among the five members, I was an avid fan of the lead guitarist of the band, Toshiyuki Abe. I was always enchanted tremendously by the sensuous sound from his red guitar in my youth. After I grew up and the band broke up, they reunite every five years to make an anniversary tour. I had been to several venues each time by spending costly transportation fees and staying at a hotel when the venue was too far to be in time for the last train back home. That had been my usual pattern concerning Tulip until their 40th anniversary tour was wrapped up. Although I had waited anxiously for their 45th, the wait ended abruptly two years ago even before the tour started. Mr. Abe, who I believe is the best guitarist in the world, suddenly passed away. Tulip’s 45th anniversary tour turned out to be a memorial to him, which I’d never, ever pictured happening. I wasn’t going to go to their concert this time. I didn’t want to see the band without him who had been my idol for such a long time. It would be too sad. Whenever something related to Mr. Abe popped into my mind in my daily life, my eyes easily swim with tears automatically. I couldn’t imagine how sad it would be that I actually saw Mr. Abe missing in the band and realized again he was gone. On the one hand, I thought I’d better not go, but on the other hand I was curious how the band would play without him. They announced Tulip would become a four-man band without having a new guitarist. Who would play the guitar part then? Would they change the arrangement and have the keyboard cover the part? Or, would one of the members switch to a lead guitarist? Or, would a robot stand with a guitar? I had thought of possible alternatives every day and couldn’t stop thinking about it eventually. To solve mounting questions, I decided to face the sadness and go to the concert. After I got the ticket, though, I still felt hesitant to go. I couldn’t believe I was holding a ticket of Tulip in which Mr. Abe didn’t exist. I had asked to myself what I was doing for three months. But about ten days before the concert, I began to feel excited and my heart leapt up. I was headed for the concert hall on that day with odd rapture. The minute the concert started, all my questions were answered in an unexpected yet totally reasonable way. In the back of Tulip, there were three supporting players. A supporting guitarist was understandable, but there were a drummer and a keyboardist that made up the band of twin-drums and twin-keyboards. The sound was different accordingly and for some reason, wasn’t good as it used to be. They also lost edge on vocals with no reason. The loss of Mr. Abe has had effect on the band much greater than I thought. It reduced the quality of Tulip. It didn’t sound or look like Tulip. I was disappointed and felt so sad. I witnessed the band suffered a massive vacuum. Mr. Abe’s trademark red guitar that I’d watched and listened since I was a teenager was placed on the stage and made me cry instead of exult this time. His song was played while his pictures were shown and I bitterly missed him. As the concert went on, I realized how hard the members was trying to fill in the big hole that they knew couldn’t possibly be filled in. With their desperate attempts, they tried to carry on at all costs. Their strong intention to sustain the loss and to survive as Tulip was conveyed from the stage. I was deeply moved by their effort to continue. Before I knew, I was jumping and sang myself hoarse along to their songs with other audience as I had always done at their concert. Looking back, I became a singer-song writer to be like Tulip. Now I will do anything I can to keep on until I die like Tulip is doing. Just one thing I will not follow them is to accept that the quality of my music gets poor. I wouldn’t, I hope…