Good-by, My Dear Friends hr685

 Our furniture and appliances have finished being moved into our new apartment. My partner and I were gazing at an array of our musical instruments spread all over the floor in the living room of our empty apartment.
Five synthesizers, two electric guitars, an 88-key MIDI board, two rhythm machines, three sequencers, three sound source modules, many effectors, an 8-track open reel recorder, an 8-track mixer, a 16-track mixer, a drum set and accessories. Those instruments have occupied a large space of our tiny apartment although they haven't been used for over twenty years since a computer became a dominant tool for me to make my music. Today, a person from the used instrument purchase company was coming to our apartment to make an assessment and collect them. The instruments that spent so many years with me were on standby for their last work with a  somewhat tense look.
We shared a lot of memories. It was my custom in my old days to carry several heavy instruments on foot and by train into the studio every time my band practiced and rehearsed. I input data of the arrangement I made for my song on the sequencer by staying up all night and the entire data was all gone in a flash when I tripped on the power cord toward morning that got pulled out of the outlet. Technical difficulties were rampant on the live stage since I used so many kinds of electric instruments connected to each other in place of human band members, such as no sound came out of the sequencer or unexpected sound was produced from the synthesizer, which needless to say horrified me and gave me a cold sweat each time. The instruments felt much heavier on my way home whenever I lost a contest or an audition. We had trodden together on a long, endless road of disappointment and cravings. Though I had already stopped using most of them by the time I moved into this apartment, I brought them anyway by paying costly moving expenses because I was too attached to them to let them go.
For this move, however, I decided not to bring them to my new apartment. I was no longer my past self who had desperately coveted success as a band or had focused too much on writing songs and recording them without sleep until I harmed my health. As I grew older and accumulated more experiences, I came to understand things and be mature. That helped me sort out my feelings. I felt it was time to take the next step of my life, thus time to leave my instruments.
Looking back, not all the memories we shared were bitter. There were fond memories as well. An extremely hopeful feeling that I had when I got a new instrument with all the money I saved by working for months on my part-time job. An indescribable satisfaction I obtained when I got the best take after redid recording hundreds of times. Heavenly bliss I felt when I listened to my completed song after a long period of time of making. After all those years, I finally realized how happy I had been and how valuable my experiences were.
The person who came to our apartment from the used instrument purchase company was a young man who undoubtedly wasn't born yet when I bought these instruments. He carefully looked into each of them to decide the price. When he was done, he asked, "Why are you selling them?" My partner replied, "We make music with a computer now and don't use them anymore." Then he said to my partner and me, "It's so wonderful that you have been making music all the way together."
The price he offered was far higher than we had expected. While we didn't have much income from our music no matter how hard we strove with those instruments, they earned a good sum of money for us at the very end. We helped him load the sold instruments onto his van and saw them off. I was a little sad, but somehow refreshed and cleared at the same time. And that made me feel like our new life had just begun.

 

A Super Drummer Appears! hr676

 

There used to be numerous kinds of music magazines at book stores in the mid-80’s when my partner and I moved to Tokyo to become professional musicians. Those magazines had classified ads on the last few pages to recruit band members. Among them, a magazine called ‘Player’ spared almost more than half the entire contents for the classified ads. In fact, my partner and I ran across each other through one of the ads in that magazine when I still lived in Kyoto.

One of the reasons why we came to Tokyo was that we had thought many good musicians would be found in Tokyo, which would enable us to form a band with professional quality in no time. Finding a good player had been extremely difficult when we played around the kyoto area. We recruited one after another who had never met our standard. In the end, we used a rhythm machine and sequencers in place of human members. It was the time when those gadgets had been just put on the market so that the technology was lamentably primitive. Machine troubles had been our norm in the gigs and we had bitterly learned the limitations of machine members.

Once we moved to Tokyo, we put as many classified ads as possible in the music magazines and met so many musicians. While we repeated test sessions with each candidate in the studio, we couldn’t find good enough members who matched our quest for the ones with high skill and a strong motivation to become professional. We gradually began to think that we had overestimated Tokyo.

On one of those days, we found Mr. Maejima. He was a highly motivated drummer of a bag of bones, who was refined and courteous, a dropout of college from passion for music as I was. In the studio session, he played accurately and delicately, who was the best drummer we had ever come across. He joined us as a band member instantly. We got along so well. We shared not only eagerness for success in music but also even hobbies, which made us closer. He invited us to his home where he lived with his parents. He gave me his old, first drum set that he had gotten by working part time so strenuously when he was a student, and came to my apartment with it to set it up for me. He also gave me a lot of gaming software that he had finished playing. The legendary film ‘Back to the Future’ was first known to us as his best picture. Together we ate out and even went to that famous theme park of the mouse, where I introduced him to the mouse as my band’s drummer. We were on good terms, that was quite rare for my partner and I who had no friends.

As for other members however, we continuously had no luck. We couldn’t find a bassist and a guitarist, and had to compromise with the temporary members to play for gigs and auditions. Those members played awfully in the studio for rehearsal and in the actual gigs. What irritated us most was they would make a big mistake at the important contest of all things and ruin our chance. On top of that, we were caught in a fight with the promoter of the gig who turned out to be a fraud. We were besieged with bad luck and our band had been in hot water for months.

Then at last, Mr. Maejima told us that he wanted to quit the band. My partner and I understood his feeling since a long predicament of the band added to our part time jobs for living had exhausted us as well. We were too dispirited to persuade him to stay. Nevertheless, it was so hard to see an unfailing partner leaving. A leaden heart by his leaving drove us to switch to recording our songs with synthesizers from playing them in a gig. In hindsight, it was a good decision that would work for us well.

A few years later, I received a letter from Mr. Maejima unexpectedly. It said that he had joined a new religious group and worked as a drummer of the group’s band. He suggested that I join it. While I should have felt happy for him, I felt sad instead. The fact that the mainstream of the music scene had no place for such a talented, motivated musician like Mr. Maejima. The reality that a would-be artist with good looks and no talent sold well and was adored. I knew that the world was unfair, but his letter made me realize it anew.

Decades have passed since then, and I have moved around several times. Still, I have a drum set that Mr. Maejima gave me. It’s on active service, only disassembled to components. They are used as containers in my apartment, holding my stuff including passion. 

Passion hr656

 

What I had been doing before I decided to become a musician was studying to enter one of Japanese first-rate universities, which was ostensibly believed so. That was when I was a high school student in the early 80’s.

To tell you the truth, I had in fact, not been studying in those days, which I had never told anyone. I just had been pretending to study every day. While I had acted in front of my family and friends as if I had been preparing for fiercely competitive entrance examinations and studying desperately to succeed in them, I hadn’t been able to find any sort of motivation to study once I sat at my desk in my room. To stimulate myself, I would listen to the records of my favorite band, but then gaze blankly at empty space or take a nap instead of being stimulated. I had tried to study in the middle of the night, which was supposed to be quieter and easier to concentrate, but I would listen to late night radio shows at which I would laugh until dawn.

After I had spent months in those routines while arrogantly declaring to people around me that I would get in the leading university, I came to my senses and began to wonder how I could succeed without studying. Now I had trembled every day with a fear that I would have failed the entrance examination of all first-rate universities. Even though I was grasped with the fear, I still couldn’t feel like studying. And in the end, that fear did materialize.

Am I a born sluggard? Am I a loser? In the depths of despair, I made up my mind to be a musician. Then in an instant my attitude changed completely. I earnestly searched for and joined a professional-oriented band, spent all the savings I had on a synthesizer, and practiced every day at the far-off rental studio to which I took a train and brought the synthesizer weighing fifty pounds and carried by me who is merely five feet. I would sweat all over even in winter just carrying it from and to the platform at the train station.

On one occasion at the station, as though he couldn’t stand to watch me struggling with the synthesizer any more, a man approached me silently and lifted it on his shoulder. He went down the stairs from the platform carrying it for me. While he staggered along the way and slowed down  probably because it was heavier than he had thought, he brought it to the bottom of the stairs and disappeared without a word. I felt like a hero came to rescue me.

But a villain also appeared as well. On another occasion, I was walking over the bridge carrying it in addition to other instruments. Because it was impossible for me to walk continuously with all that heavy stuff, I posed and put down all the instruments every few yards. And a vulgar man yelled at me from behind, “Get out of my way, you slow-walking ugly!” I snapped at the word ‘ugly’, put down the instruments, and stopped him by saying, “What did you say?” Then I seized him by the neck, squeezed it and pushed him to the bridge-rail. I was wringing his neck seriously and intended to push him down to the river. The man gasped for air and screamed “Call the police! Please, someone!” By that time, passersby had gathered, and a woman untangled my hands on his neck and broke us up. It seemed I turned into a villain there.

When I wasn’t in the studio, I had practiced playing the keyboard at home and worked at a part-time job to pay for the rental studio. Although my new routine had totally exhausted me, I was willing to take the ordeal. I never lost my passion as if I were possessed by something. And I haven’t lost it to this day after decades have passed.

To keep going can lead to many setbacks. Sometimes there are those nights when I want to give up and throw everything away. Still, when it dawns, I get motivated again gradually. Not vanity nor prosperity but passion keeps me alive. I don’t want to quit staying alive just yet.