Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Friday, July 19, 2024

Pride or Survival hr680

When I lived in Tokyo in my early twenties, I desperately tried to succeed as a musician while working at a part-time job. Although I had clearly envisioned a plan for success, reality was much more cruel than I had expected and ate into me both physically and mentally. I consumed a large amount of alcohol every night to get rid of stress and exhaustion. I knew it didn’t help as I found in the packed train car one morning on my way to my part-time job that I had left home wearing an unmatched pair of shoes inadvertently.

I abandoned a presupposed secure life for me in which I would take a husband into my family by an arranged marriage, have a child as a next successor to me and live in the family house as the successor until I die when I left home for Tokyo to be a musician. That was the reason why I wasn’t willing to ask for financial help from my grandfather who had been the master of the family that used to be wealthy. I thought I should be on my own if I wanted to live my life. Japanese people’s consensus in those days was that doing what one wanted to do for life was a childish idea since the possibility of financial sustainability in that kind of life was one in a million. Most of them believed that adults should lead a responsible life by standing on their own feet. Doing what they didn’t want to do was the norm for financial independence, and to have a family eventually. That notion had prevailed so deeply that not only my friends but also a stranger who had a chat with me and happened to know I was trying to become a professional musician scolded me and told me to live seriously.

In those unrewarding, exhausting days of my life, I heard about a music school that a renowned Japanese musician newly opened. As a conceited young musician, I thought there was nothing to learn there for me, but I saw it as ties to the Japanese music business because the owner was the best selling, top artist in Japan. Also thinking that it was an opportunity to change my stifling situation, I decided to enroll. Needless to say, I had neither time nor money for the school. To make time, I quit my part-time job. For money, I resorted to my grandfather’s fortune. Although it wasn’t a solution of my liking, or of Japanese society’s common sense for that matter, I no longer had leeway for how I looked to others. My career as a musician had been stuck and nothing went according to my plan. I had been less motivated and drinking more instead. I had been cornered to the point that my choice was either to get financial support for my dream or to die.

The music school where I started to go was like no other ordinary school. It was more like a small salon. It didn’t have classes. Students came to school to present their music. A teacher gave them some advice and an impression. It held a presentation event once a month where students sang their songs on stage in front of the owner famous musician or other top Japanese music producers. In the first presentation I participated in, I was picked as the best. Until then, I had felt other students were my enemies to beat and they had kept me at a distance probably because they sensed how I looked at them. But after that event, their attitude changed. I seemed to have earned their respect and they came to talk to me. I learned they were struggling musicians like myself and we had a lot in common. My attitude toward them softened as well. We even hung out at the family restaurant after school. They were fellow challengers and rivals among whom I tried to be the best in every presentation. As it was held monthly, I completed my song every month, which was an amazing rapid pace for me. It was as if something inside me had woken up. I drank less and less, and lost weight for the monthly stage.

The school brought a drastic change to my life. Driven by a competitive spirit, I was motivated and focused to make music more than ever. I noticed I was breathing. My stifling days were over and I found myself out of darkness.

Thursday, January 13, 2022

The Money Pit hr650

 I made up my mind to become a professional musician when I was eighteen living in Japan. I had imagined that the hardest thing to be one was to keep up better works by strengthening talent, which proved wrong. The hardest thing is money. Scraping up funds for activities as a musician without losing time and energy for music is most difficult. It’s equally the case for either an artist who has made a smash hit or the one who has been unsuccessful like me. And it has remained to be the case today after decades passed.
At the very beginning of my music career, I regularly rehearsed in a studio as a member of the band that strongly intended to become professional. It was the first serious band I had joined. I somehow managed to play well enough compared to other skillful members and didn’t get fired at the first session as I had feared. The band was based in Osaka that is a 45-minute ride by train from Kyoto where I lived. The studios the band used were all in Osaka, which meant I needed to pay the studio rental fee and the train fare each time. I was a college student back then, but barely went to class. Instead, I worked at the restaurant as a cashier and spent everything on the band. My time was dedicated to music and I came home just to sleep.
The studio was equipped with a synthesizer but I didn’t have my own although I constantly appealed my passion to become professional. It had gradually seemed odd that I used a rental synthesizer in every session while I tried to motivate other members to be professional as soon as possible. A thought that other members questioned my seriousness began to cross my mind as I continued to play with temporary sounds. Since we played our original songs, original sounds were necessary. On top of that, when I practiced back at home, I used the piano for a synthesizer that was quite ineffective as practice. I finally decided to get my own synthesizer. I chose the latest model at that time called Yamaha DX7 that was featured in almost all the pop songs and albums in the music business of 80s. It cost about 2500 dollars.
Before I joined the band, I had saved money out of my years’ allowances and was going to use that money to study English in England. The amount of my savings was about the same as the price of a DX7. I had put it in time deposit at the credit union bank for higher interest and for my friend just a few months before. That friend of mine had worked at the bank by giving up going to college because she needed to support her handicapped mother and two younger siblings when her father suddenly abandoned them. I wanted to help her in some way and set a time deposit through her with hope that it might raise her performance evaluation at the bank. Sadly, my rare good deed couldn’t last any longer. I went to the bank, apologized her a million times, and cancelled a time deposit. While she kept telling me with a smile “Don’t worry, don’t bother,” I was bathed in guilt, and yet I withdrew my savings and went on to get a DX7. I chose a DX7 over staying in England and being her friend.
After all, it was just the beginning of the long way that I have walked on until today. Since I decided to become a professional musician, I had lost my friends and my family not to mention a college degree as a dropout. What I gained instead are thousands of sleepless nights for worry about money. Even while I stay awake in the night yet again, I still believe that the happiest thing for a human is to fulfill one’s calling.